Inaugural Art Southampton - 27 East

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Inaugural Art Southampton

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Bob Dylan Studio Portraits Side Light: 1965-330-001-009 Manhattan, New York, USA 1965

A piece by John Chamberlain from Gallery Valentine. COURTESY ALCHIMIA MARKETING & PUBLIC RELATIONS

A piece by John Chamberlain from Gallery Valentine. COURTESY ALCHIMIA MARKETING & PUBLIC RELATIONS

"Gesture of the Ages," an oil by Jeff Muhs from the McNeill Art Group. COURTESY ALCHIMIA MARKETING & PUBLIC RELATIONS

"Gesture of the Ages," an oil by Jeff Muhs from the McNeill Art Group. COURTESY ALCHIMIA MARKETING & PUBLIC RELATIONS

"Amazing" by Mel Brochner from Gallery Valentine. COURTESY ALCHIMIA MARKETING & PUBLIC RELATIONS

"Amazing" by Mel Brochner from Gallery Valentine. COURTESY ALCHIMIA MARKETING & PUBLIC RELATIONS

authorMichelle Trauring on Jul 23, 2012

Alexandra Fairweather was 2 years old when her mother, Prudence, found herself a new boyfriend.

Early on, the young girl and the man had a unique bond. When she was 5, Ms. Fairweather—who is now 22—asked him, “Who is the most famous artist?” she recalled during a telephone interview last week. The duo discussed the work of post-impressionist Vincent van Gogh and the legacy that abstract expressionist Jackson Pollock left behind on the East End, not far from the family’s home on Shelter Island.

It wasn’t long after her mom and the man that she loved married on June 9, 1996 that the young girl realized her own stepfather sat among the greats himself. He was John Chamberlain, the man solely responsible for famously retooling automotive metal, among other materials, into abstract sculpture and single-handedly giving the craft a place in the world of art.

“I always considered him a parent. As I got older, I realized he was a great American artist,” Ms. Fairweather said. “He would always say the two hardest occupations in the world are, first, a parent and, second, an artist. Those were basically his two passions: parenting and being an artist.”

Over the next couple of decades, the two became even closer. But on December 21, 2011, Mr. Chamberlain died at the age of 84—eight years after his stepdaughter first picked up a video camera and began shooting him everywhere he went—from working in his studios and traveling the world as an artist to quiet family moments at home as a husband, father and friend.

The completed film, “HEAARTBEAT,” will premiere on Thursday, July 26, at the opening night of the inaugural Art Southampton, an international contemporary fair presented by Art Miami, which will be held here on the East End in a 75,000-square-foot pavilion on the grounds behind the Southampton Elks Lodge.

“In the movie, Chamberlain says that he wants to go out into the world and make your heart beat,” Ms. Fairweather explained. “That’s part of how the title came about. It’s in caps because Chamberlain, starting in about 2005, started writing all his titles in caps. And he always had a fascination with caps. If I ever wrote him a letter, it had to be in caps. ‘It has to be in caps because it has more meaning.’”

She laughed to herself and continued, “A lot of the time, Chamberlain’s titles had an extra letter, that’s why I added the extra ‘A.’ And one thing that Chamberlain would say was, ‘What beats?’ He didn’t like the expression, ‘How are you?’ He liked when I’d ask, ‘What beats?’”

The legendary artist’s work set the stage for modern sculptors today, including Andrew Levitas, whose large-scale pieces will flank the entrance to Art Southampton. In 2004, Mr. Levitas trademarked his artistic process, called “Metalwork Photography,” which involves the transfer of photographs onto custom transparencies that are melted onto hand-etched metal sheets. The result is a work that combines the imagery of a photograph with the presence of a sculpture.

“I’m most inspired by perspective and the ways in which our individual truths and emotions interact and reflect on the world, and back upon ourselves,” the 34-year-old artist wrote in an email. “My work grows as my courage and my life has grown. I don’t know what is next. When I don’t have anything left to say, I’ll stop.”

Art Southampton comes on the heels of ArtHamptons and artMRKT Hamptons, two of the major art fairs on the East End that were held earlier this month. But founder and director Nick Korniloff, who grew up in New Hyde Park, says the third one will be the charm.

“That was our strategy,” Mr. Korniloff said of the fair’s timing during a telephone interview last week while he was driving up from Florida to the East End. “Our model is completely different than the other two shows. It’s, truly, an international fair. The prices of artwork, you can buy anything from a couple thousand to a couple million. You’ll see great work from Germany, you’ll see it from the UK, you’ll see it from great New York galleries, Asia and from the Hamptons. I don’t really predict, I’m not a predictor, but I can tell you I believe it’s going to be successful. I believe it has a bright future.”

So does Ms. Fairweather, who is the director of Gallery Valentine in East Hampton. She said Art Southampton was the “perfect venue” to debut her film, based on the reputation of Art Miami, which is in its 23rd year. It was almost as natural as her decision to begin filming her stepfather at age 14, she said. Her entire family has always had an obsession with film, she said, particularly old movies. In fact, Mr. Chamberlain once wanted to be an actor, she said.

“He went to Hollywood when he was 16. He ran away from home,” she said. “But he ran out of money somewhere in Nevada. He went to a diner, the bill was 89 cents—we’re talking World War II times—and he couldn’t pay for it. He got arrested and while in the jail cell, he sees a sign that says, ‘I Want You.’ So he lied about his age, enlisted, went into the Navy and had this crazy experience.”

The stories only escalated from there, she said.

“He would say, ‘Oh, I had a drink with Billie Holiday, lunch with Picasso and smoked a joint with Louis Armstrong,’” Ms. Fairweather laughed. “I was always close with Chamberlain, but when I started filming, I learned this whole other side of him. It took our relationship to a whole new level. That was really great.”

But in the last few years, her stepfather’s health began to rapidly deteriorate. Suddenly, it was a race against time for Chamberlain to finish his final sculptures, and Ms. Fairweather captured all of it from behind her camera. She whittled more than 200 hours of footage down to 85 minutes—a process that gave the filmmaker a sense of closure without having to actually say goodbye.

“It was extremely difficult. When you lose a parent, it’s so hard. It’s rough,” she said. “But I think especially after Chamberlain died, the editing process, getting to hear his voice and see him, it was so therapeutic. It’s something I will always cherish because I always have this memory of him. I still get to live by his advice. I get to still feel like he’s here and hear his ideas and principles and beliefs. And I find that very comforting.”

Art Southampton will run from Thursday, July 26, and through Monday, July 30, on the fairgrounds behind the Southampton Elks Lodge. The VIP Preview will kick off the contemporary art fair from 6 to 10 p.m. on opening night. Apply for VIP status online. The “HEAARTBEAT” screening will be held on opening night at 7:30 p.m. and Friday, July 27, at 6:30 p.m. Tickets are $500. Proceeds will benefit the Ross School Chamberlain-Fairweather Scholarship Fund for the Arts and the Watermill Center/Chamberlain Residency Grant Fund. A one-day fair pass is $15 and a multi-day pass is $30. Tickets for seniors and children age 12 to 18 are $10. Discounts will also be given to groups of 10 or more. For more information and full schedule of events, visit art-southampton.com.

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