Hampton Ballet Theatre School Announces Acting Classes with Kate Mueth - 27 East

Arts & Living

Arts & Living / 1558937

Hampton Ballet Theatre School Announces Acting Classes with Kate Mueth

icon 4 Photos
Children perform in Kate Mueth's acting classes with the Neo-Political Cowgirls. Mueth's class will also be held at the Hampton Ballet Theatre School.

Children perform in Kate Mueth's acting classes with the Neo-Political Cowgirls. Mueth's class will also be held at the Hampton Ballet Theatre School. courtesy photo

Children perform in Kate Mueth's acting classes with the Neo-Political Cowgirls. Mueth's class will also be held at the Hampton Ballet Theatre School.

Children perform in Kate Mueth's acting classes with the Neo-Political Cowgirls. Mueth's class will also be held at the Hampton Ballet Theatre School. courtesy photo

Children perform in Kate Mueth's acting classes with the Neo-Political Cowgirls. Mueth's class will also be held at the Hampton Ballet Theatre School.

Children perform in Kate Mueth's acting classes with the Neo-Political Cowgirls. Mueth's class will also be held at the Hampton Ballet Theatre School. courtesy photo

Children perform in Kate Mueth's acting classes with the Neo-Political Cowgirls. Mueth's class will also be held at the Hampton Ballet Theatre School.

Children perform in Kate Mueth's acting classes with the Neo-Political Cowgirls. Mueth's class will also be held at the Hampton Ballet Theatre School. courtesy photo

authorHannah Selinger on Nov 11, 2019

This fall, Bridgehampton’s Hampton Ballet Theatre School has added a new program to its roster. In addition to contemporary dance, ballet, tap, hip-hop, and pointe, the school is now offering acting for two different age groups. The eight-week course began during the first week of November. The first course of 2020 begins the week of January 20.

Kate Mueth, co-founder and artistic director of the award-winning theater company The Neo-Political Cowgirls, has teamed up with Hampton Ballet Theatre School owner Sara Jo Strickland to develop this acting course. “Anyone is welcome. Any level of experience is great,” Mueth said. The classes are divided into two different age groups: 9 to 12 and 13 to 18. And while the schedule is currently limited to one class for each age group per week, Mueth has not ruled out expanding the program, should interest require it. “I’m a committed person, so if the numbers are there, and people are asking for it, I will make room and make a class available at any point as long as my schedule allows,” she said.

The idea of marrying dance with theater came about organically. “I get asked quite frequently about classes for young actors,” Mueth said. She and Strickland have known one another and worked together for years. Why not combine the interest for acting with the investment of dance? The goal for dancers embracing acting courses, Mueth said, is to help them “open up the channel to feel emotions while they’re moving. It’s lovely to be able to work with Sara Jo. She has such a great following, and such great students.”

Some of Strickland’s students have enrolled in Mueth’s acting course already, but the hope is to broaden the scope of the program to encourage participation from members outside of the school. “We’re just trying to get the feel for students out there that might want to participate,” she said.

Mueth is used to teaching different levels and different age groups, and views this breadth as part of what makes her craft so wonderful. “You’re all doing the work together,” she said of the mix of different ages. “It’s just a really gorgeous way of figuring out what it means to be human.”

The 8-week semester will include play (“play is at the heart of being an actor”), movement, voice work, and scene work. In the future, Mueth hopes to orchestrate a shared presentation, in which students can casually perform or present their newly honed skills. The course will also place a heavy emphasis on communication skills. “The place that I like to focus on them with this is on confidence building and friendship building. And I don’t necessarily mean that they leave and become best friends,” she said.

Actually, part of the point of the program is to explore how ideas are shared, and to learn how to mine imagination. Adult actors, she said, are constantly trying to get back to the childhood mind, where imagination reigns and responsibility is nonexistent. For her young actors, engaging in the process of imagining is an important step in learning how to exist in the world.

“I just want them to stay tapped into that imagination and have more courage in their playing and discover new things about their abilities,” Mueth said. “It builds respect, hopefully, and a tolerance to open up, to listen. The listening skills [are] really, really important.” The classes, Mueth said, may evolve over time. The initial offering is to gauge interest, with the hopes that the community responds to the class offerings with enthusiasm. “It’s sort of just dipping our toes in,” she said.

The acting class at the Hampton Ballet School is offered on Wednesdays from 4 to 5:30 p.m. for ages 13 to 18 and on Fridays from 4 to 5:30 p.m. for ages 9 to 12. Classes cost $194 per week. Registration forms are available online at hamptonballettheatreschool.com. Classes require a minimum of 6 people, but Mueth will accept up to 20 students per class.

You May Also Like:

‘Where Light Meets Water,’ Art Inspired by North Sea

Experience art inspired by the beauty of Southampton’s northern coast — where the reflected light ... 9 May 2025 by Staff Writer

Witness and Resistance With Jaime T. Herrell

On Saturday, May 24, at 4 p.m., Jaime T. Herrell, an independent curator and education program developer, will examine the intersection of her curatorial work and the themes of resistance, witnessing and reclaiming space that are alive and vibrant in “Eternal Testament,” the exhibition currently on view at The Church. Herrell will take a deeper dive into a few works — Natalie Ball’s “You Usually Bury the Head in the Woods Trophy Head,” James Luna’s “Take a Picture With a Real Indian,” Marie Watt’s “Placeholder (Horizon)” and Cara Romero’s “Last Indian Market.” Following the in-depth look at the works, Herrell ... 8 May 2025 by Staff Writer

The ‘Acquisition Exhibition’ at the Bridgehampton Museum

Although the Bridgehampton Museum has had several iterations, it has come to life in just ... 7 May 2025 by Staff Writer

‘Independency: The American Flag at 250 Years’ at Southampton Arts Center

This month, Southampton Arts Center will present “Independency: The American Flag at 250 Years,” a ... by Staff Writer

'Round and About for May 8, 2025

Music & Nightlife Mysteries, Deceptions and Illusions Allan Zola Kronzek, a sleight-of-hand artist, will perform ... by Staff Writer

His Life in Pieces: Ambrose Clancy's New Book Offers Four Decades of Stories Worth Telling

Ambrose Clancy is always on the lookout for a good story — especially if it’s ... 5 May 2025 by Annette Hinkle

A Designer of Dreams: Pieces of Tony Walton's Legacy Seek New Homes

Tony Walton believed in the power of theater. For the award-winning production designer and longtime ... by Michelle Trauring

At the Galleries for May 8, 2025

Montauk The Lucore Art, 87 South Euclid Avenue in Montauk, is showing “A Little Bit ... by Staff Writer

The Gil Guitérrez Trio Live in Concert at The Church

Join the Gil Guitérrez Trio at The Church on Friday, May 23, at 6 p.m. ... by Staff Writer

Artist Talk and Demonstration With Chié Shimizu at The Church

Join The Church for an artist talk and process demonstration with Chié Shimizu on Wednesday, ... by Staff Writer