Residence

Residence / 2258628

Landcraft Gardens Hosts Jorge Pardo Exhibition This Summer

icon 2 Photos
Jorge Pardo,

Jorge Pardo, "Untitled," 2024. Ceramic tiles, 96 inches in diameter, at Landcraft Garden Foundation. RANDEE DADDONA

Liam Gillick, fabricated by Jorge Pardo,

Liam Gillick, fabricated by Jorge Pardo, "Untitled," 2024. Lounger Birch plywood, automotive acrylic enamel paint, at Landcraft Garden Foundation. RANDEE DADDONA/SOURTESY OF THE ARTISTS, PETZEL GALLERY NEW YORK AND CASEY CAPLAN GALLERY, NEW YORK

authorStaff Writer on Jun 10, 2024

The Landcraft Garden Foundation in Mattituck’s 2024 season of Sculpture in the Garden will feature the work of acclaimed Cuban-American artist Jorge Pardo. The fourth annual outdoor exhibition will be on view at Landcraft Gardens from June 8 through October 26 and is curated by artist Ugo Rondinone.

Pardo is internationally known for his sculptures, installations, and paintings that explore their own functionality within architecture and landscape. For Landcraft Gardens, he will present three circular mosaic sculptures and a chaise lounge. Comprising hundreds of multicolored ceramic tiles produced in Guadalajara, Mexico, the 8-foot round mosaics will be installed on the grounds, nestled amid lush plantings.

Since the 1990s, Pardo has worked with mosaics that have been seen in exhibitions and for public and private commissions. This is the artist’s first outdoor mosaic sculpture and is composed of signature design elements and patterns that can be seen in prior works. The lounger, made of colorful slabs of Birch plywood with automotive acrylic enamel paint, is a collaboration between Pardo and British artist Liam Gillick, who have known each other for the past 30 years.

“Jorge Pardo pursues the labyrinthine paths of sculpture’s long history, producing works that reflect an altogether contemporary state of mind while drawing liberally from modernist, ancient, esoteric and popular lineages,” Rondinone said. “His unique polymathic sensibility in art, design, and architecture has allowed him to produce works that connect all ways of making, with the archetypal forces that bind the craftsperson’s labor to the universe-shaping mechanisms that bring the world into being.”

You May Also Like:

Last Call for Fall Gardening: Bulbs, Garlic and End-of-Season Chores

Unlike the past several years, it seems we may have a normal fall as far ... 8 Nov 2025 by Andrew Messinger

How To Stop the Spotted Lanternfly: Simple Fall Steps To Protect Your Trees and Gardens

We’ve heard about a growing threat for years. But it seems as if, suddenly, spotted ... 6 Nov 2025 by Linda Whitaker

Leave My Lawn Alone, Please: Why Turf Isn't the Enemy

Ella Gatfield’s Viewpoint [“The Grass Is Not Greener,” Residence, October 9] regarding the American lawn ... 4 Nov 2025 by Andrew Messinger

Saving the Past, Correcting the Myths: A New Look at Historic Preservation

With a history dating back to the 1640s, the East End still harbors vestiges of ... by Anne Surchin, R.A.

Landscape Architect Signe Nielsen To Share the Story Behind Little Island’s Design

In 2021, Little Island opened as an oasis for New Yorkers, with more than 2 ... by Staff Writer

Where Art and Community Flourish: At Home With Eva Faye and Abby Terkuhle

Eva Faye and Abby Terkuhle have gathered about a dozen friends and neighbors at their ... 28 Oct 2025 by Kelly Ann Smith

Stash Those Seeds: How To Keep Next Year’s Garden Growing

As we begin to get our outdoor gardens ready for the winter season, many of ... by Andrew Messinger

Minimalism With Soul: Esha Soni’s Montauk Home Reflects Her Refined Design Ethos

Balancing simplicity with original flair is a creative challenge for many. Esha Soni’s Montauk property ... 21 Oct 2025 by Tristan Dyer

Succulents That Thrive on Neglect — Mostly

This week marks the final installment of my current suggestions for houseplants. Some are easy, ... by Andrew Messinger

Dig In This Fall: Native Trees That Belong in Every Garden

Fall is a busy time for gardeners. The last of the flowers and vegetables are ... by Marissa Bridge