Book Review: 'The Glass Universe' Is A Celebratory Story Worth Telling And Worth Reading - 27 East

Arts & Living

Arts & Living / 1333381

Book Review: ‘The Glass Universe’ Is A Celebratory Story Worth Telling And Worth Reading

icon 1 Photo

author on Oct 16, 2017

They were called “Pickering’s Harem.” Edward Pickering was the director of the Harvard College Observatory from 1877 to 1919. The “harem” was the group of women who worked at the observatory. They were first employed as “computers,” or women who performed complex mathematical calculations. Many ultimately became observers who photographed the night sky.

In her new book, “The Glass Universe: How the Ladies of the Harvard Observatory Took the Measure of the Stars,” (Viking, 324pp., $30) Dava Sobel tells their story.

Ms. Sobel is the award-winning science writer who wrote “Longitude” and “Galileo’s Daughter.” “The Glass Universe” does not have the dramatic power of those two books, but it tells a story that needed to be told, a story that is still relevant in an age when women do not receive their due in the workplace.

The early women employees at the observatory were volunteers, often the daughters or wives of scientists. The observatory was strapped for cash and was kept afloat only by volunteer efforts and by the generosity of Mrs. Anna Palmer Payne, one of the “grande dames” of 19th century New York, whose deceased husband was an amateur astronomer, and whose original work was the foundation on which Pickering established the observatory. Mrs. Payne was determined that his work should be continued. The work consisted of tracking and classifying the stars in the night sky using photographs.

Over time, the nature of Pickering’s staff changed, consisting in the beginning of mostly men with a few women, to mostly women with a few men. Pickering discovered that women were better at doing the exacting work of a “computer” than men were. They were more meticulous and more patient. They also were highly talented at taking the pictures of the stars and classifying them by position, motion, brightness, spectrum and color. The work, as Ms. Sobel says, “demanded both scrupulous attention to detail and large capacity for tedium.” To give an idea to the scale of what Pickering and his computers were doing, and the intensity with which they worked, Annie Jump Cannon, one of Pickering’s assistants, classified 5,000 stars a month.

Another woman, a single mother from Scotland, Williamina Fleming, was originally hired as a maid. But it was soon discovered that she had an acute mathematical ability. In time, says Ms. Sobel, “she built a stellar classification scheme and also discovered 10 novae and more than 300 variable stars, all from her study of spectra on glass plates.” She was Ms. Cannon’s predecessor and was also the first woman to hold an official title at Harvard University. (By the way, for anyone who is as astronomically illiterate as I am, according to the online Oxford dictionary, “a nova is a star showing a sudden increase in brightness and then slowly returning to its original state over a few months.”) Adelaide Ames was the first woman with a graduate degree to work at the observatory. She worked with Pickering’s successor, Harlow Shapley, cataloging galaxies.

Ms. Cannon classified hundreds of thousands of stars and the photographic plates could be retrieved almost instantly.

These are truly admirable women. It must be remembered that women could not even vote until roughly 70 years after the project began.

Interestingly, when Ms. Cannon went to Europe for a convention of astronomers, all the Europeans were male.

The cast of characters is large and the reader occasionally has to consult the catalog of Harvard astronomers, assistants and associates that Ms. Sobel has thoughtfully provided. It is a remarkable book about a remarkable group of women. However, one occasionally loses one’s way in a story that doesn’t have a protagonist to carry the narrative along.

Scientific research takes place by inches, there are very few eureka moments, so there are moments of tedium in the narration. Nevertheless, “The Glass Universe” tells a celebratory story that is well worth the telling and the reading.

You May Also Like:

Edna’s Kin Performs in Sag Harbor

Sag Harbor’s favorite family band, Edna’s Kin, is back for its annual Sag Harbor concert. ... 2 May 2024 by Staff Writer

World Voices Shared at LTV

LTV Studios has launched a bold, new programming initiative, LTV’s World Voices, a year-long series ... 1 May 2024 by Staff Writer

An Exhibition Provides Food for Thought at Parrish Art Museum

The Parrish Art Museum’s current exhibition, “The Art of Food: From the Collections of Jordan ... 30 Apr 2024 by Kelly Ann Smith

The Paintings of Natalie Edgar at Duck Creek

The season’s opening exhibition in the John Little Barn at the Arts Center at Duck ... by Staff Writer

Bruce Wolosoff Is ‘Inspired by Music’ at The Church

The innovative Reflections in Music series returns to The Church on Saturday, May 25, at ... by Staff Writer

Pirates on the ‘Stolen Seas’ at The Church

It’s time to rethink everything you thought you knew about pirates. Join documentary filmmaker Thymaya Payne as he presents his film “Stolen Seas” at The Church in Sag Harbor on Friday, May 17, at 7 p.m. “Stolen Seas,” which follows pirate translator and negotiator Ishmael Ali, tells the story of 13 powerless men trapped on a ship and it explores why their captors feel justified in their tyranny. After the screening, there will be a Q&A with the acclaimed writer and filmmaker. Attempting to make sense of the rapid changes at the hands of globalization and intrigued by the emerging ... by Staff Writer

Laufey Performs in Concert to Benefit the Montauk Historical Society

Grammy award-winning singer, composer and multi-instrumentalist Laufey will perform for one night only to benefit the Montauk Historical Society. The concert, on Saturday, August 3, will be held at the Montauk Point Lighthouse. Laufey’s (pronounced lāy-vāy) 2024 Grammy-winning album “Bewitched” is inspired by jazz greats and classical masters while possessing a point of view that could only be conveyed by a 21st-century twenty-something. “Bewitched” represents an expansion of Laufey’s sonic palette. Her self-assured musicianship and deeply felt lyrics take the idea of “classic” music, whether it’s slotted as classical or jazz or even chart-topping pop, and humanize it, giving her ... 29 Apr 2024 by Staff Writer

This Summer, John Mulaney Gets Funny in Montauk

John Mulaney, a three-time Emmy and WGA award-winning writer, actor and comedian, is coming to the East End this summer and will perform outdoors on the grounds of Montauk Point Lighthouse. “John Mulaney in Concert” on Saturday, August 10, begins with a preparty event at 5 p.m. followed by the performance at 7 p.m. The show is a benefit for Montauk Point Lighthouse. Mulaney can be seen in his latest Netflix stand up special, “Baby J.” Released in April 2023, Mulaney converts his personal turmoil into comedic brilliance, which earned him 2023 Emmy nominations in Outstanding Variety Special (prerecorded) and ... by Staff Writer

Ozzmosis Presents an Ozzy Osbourne Tribute

The Suffolk presents Ozzmosis, the world-class Ozzy Osbourne anthology tribute show, on Friday, May 17, at 8 p.m. Ozzmosis brings together some of the finest musicians on the scene who take great pride in creating the next best thing to a live Ozzy performance. This show transports audiences through time to experience the raw energy that Ozzy came to be known for at the height of his career. Ozzmosis captures his whole solo career from Randy Rhoads to Zakk Wylde with thrilling authenticity and electrifying energy. Tickets are $35 to $55 at thesuffolk.org. The Suffolk is at 118 East Main ... by Staff Writer

Francisco Daniel Cabrera Shows at Duck Creek

The Arts Center at Duck Creek’s first exhibition of the season in the Little Gallery ... by Staff Writer