Songs of The Seas: Shantyman Don Sineti Comes to Sag Harbor - 27 East

Arts & Living

Arts & Living / 2148794

Songs of The Seas: Shantyman Don Sineti Comes to Sag Harbor

10cjlow@gmail.com on Jul 24, 2009

Don Sineti for web

A talk with singer Don Sineti of the Connecticut schooner Mystic Whaler which stops in Sag Harbor today, July 23. At 8 p.m. Sineti and crew perform “Songs of the Sea and Tales of The Whales” a free sea shanty concert at the Old Whalers’ Church, 44 Union Street, Sag Harbor.

 

What inspired you to sing shanties?

“I’ve had a great interest in the sea since I was a kid. In the ‘60s folk music became popular and shanties became more of an interest. Stan Hugill, the last of the shantymen — he was from England — wrote the best book on the subject “Shanties from the Seven Seas.” We became fast friends. He was very encouraging about my doing it.”

 

Were there different songs for different kinds of ships?

If there was any music on the vessel, it was at the captain’s discretion. Some allowed it, some didn’t, some encouraged it. There were two types of music on ships. The shanties weren’t considered social music. They were a tool, they didn’t sing them when they weren’t working.  Just like a hammer or saw is to a carpenter, there were specific shanties for specific jobs.

Another body of music they would sing socially — like folk songs. In the whaling trade there was an abundance of magnificent ballads. Some shanties are specifically about whaling. It’s the whaling ballads that are so dramatic – they reflect the two different types of songs. It’s incredibly rich and wonderful music.

 

Are the origins of specific shanties traceable?

Some are because they mention certain ships and ports. A few we can trace to an individual and even a date when it was first performed. But well over 95 percent wouldn’t fall into that category. It’s a real aural and folk tradition. Since a shanty had to continue until the job was done, a great shantyman would’ve not only had leather lungs, but a clever mind. They couldn’t stop halfway through the job and say I don’t know any more words. Being a tool, they would end when the song was done.

 

Where did the term come from?

Some debate exists about that. Some believe it’s from the word chanteur — “singer” in French. Then there are theories that in the Caribbean when they moved these little shanty houses they’d sing while doing it. It’s a little hard to pin down. The word shanty is accepted with either with an “s” or a “c.” I prefer “s” because Stan Hugill preferred “s” — but I think there might be more credence to the French theory.

 

What’s the earliest example of a sea shanty you have come across?

The form that we know really dates back to the late 1700s. We know of some sung earlier than that, but they really gained prominence in the package ship era — from the early 1800s to the 1920s and ‘30s. They started in great numbers after 1812 with ships carrying products from England to America.”

 

Are they still being written?

Some people are writing them, but they fell out of fashion with the advent of engines and machinery. Mostly they’re sung at museums and on vessels like the Mystic Whaler. The era of great tall ships is over.

 

What is your favorite sea song?

My very, very favorite song to sing is not a chanty, it’s “Rolling Down to Old Maui” a ballad about whaling in the Arctic when they were going after the bowhead whales.

 Above: Don Sineti

You May Also Like:

Rhythm Future Quartet Performs on Shelter Island

Shelter Island Friends of Music continues its 2025 season with a high-energy performance by the ... 16 Sep 2025 by Staff Writer

'Charlotte and Jim: A Personal Reminiscence' at The Leiber Collection

The Leiber Collection will host “Charlotte and Jim: A Personal Reminiscence,” on Sunday, September 21, at 4 p.m. with artist Mike Solomon in conversation with Christine Berry of Berry Campbell Gallery, New York. The event will offer unique insight into the lives and artistic legacies of Charlotte Park (1918–2010) and James Brooks (1906–1992), two distinguished figures of American Abstract Expressionism. Solomon, whose very close relationship with Park and Brooks spanned the days of his childhood until their deaths, will share personal stories about the couple as artists and residents of the East End, and discuss their contributions to the East ... by Staff Writer

Sag Harbor in Focus: 'Bretzke x Elkins' Opens at Grenning Gallery

Grenning Gallery will present “Bretzke x Elkins,” a two-person exhibition featuring new work by contemporary ... by Staff Writer

‘A Steady Rain’ Brings Gritty Chicago Cop Drama to LTV Stage

Kassar Productions, in association with Playwrights’ Theatre of East Hampton at LTV Studios, will present ... by Staff Writer

Marilyn Stevenson's 'Explorations' Come to the Water Mill Museum

From Thursday, September 18, through Sunday, October 5, the Water Mill Museum will present “Explorations,” ... by Staff Writer

Unpacking 'Baggage': Charles McGill’s Powerful Final Works on View in Wainscott

Tripoli Gallery in Wainscott will present “Baggage,” the gallery’s first solo exhibition of works by ... by Staff Writer

‘Understories’ Spotlights Nature’s Unseen Forces at Women’s Art Center of the Hamptons

The Women’s Art Center of the Hamptons will present “Understories,” an exhibition exploring the hidden ... by Staff Writer

Larry Carlton Brings Jazz Fusion Talents and Impressive Resume to The Suffolk

Session musicians are the oft-forgotten sidemen that have been the backbone of the music industry ... by Dan Stark

Round and About for September 18, 2025

Music & Nightlife Mysteries, Deceptions and Illusions Allan Zola Kronzek, a sleight-of-hand artist, will perform ... by Staff Writer

At the Galleries for September 18, 2025

Montauk The Depot Art Gallery, 285 Edgemere Street in Montauk, is presenting “All We See,” ... by Staff Writer